展覽名稱:漆彩永恒
東方的米開朗基羅——全龍福漆畫展
Eternal Color
Michelangelo in the East—Jun Yongbok Natural Lacquer Painting
Exhibition
展覽時(shí)間:2011 年 4 月 6 日—4 月 16 日
April 6—16, 2011
開幕時(shí)間:2011 年 4 月 6 日 下午 2:00
2:00 p.m., April 6, 2011
主辦單位:文化部中外文化交流中心
Center of International Cultural Exchange, Ministry of Culture,
P.R. China
展覽場(chǎng)地:中國(guó)美術(shù)館 3 號(hào)廳
Hall 3, National Art Museum of China
展覽介紹
由文化部中外文化交流中心主辦的“漆彩永恒——全龍福漆畫展”，將于 2011 年 4 月 6日至 16 日在中國(guó)美術(shù)館舉行。此次展覽是韓國(guó)著名漆藝家全龍福在中國(guó)舉辦的首次個(gè)人展覽，將展出其 2005 至 2011 年間創(chuàng)作的 50 余件精品漆畫代表作，本次展覽由中國(guó)漆畫之父——喬十光親自擔(dān)任策展人，并為展覽題詞。
全龍福，1952 年生于韓國(guó)釜山，1973 年開始投身于漆畫藝術(shù)的研究與創(chuàng)作，現(xiàn)任（株）巴洛克 C&F 漆藝研究所所長(zhǎng)、釜山靈山大學(xué)教授、日本巖山漆藝美術(shù)館（世界最大漆藝美術(shù)博物館）館長(zhǎng)、日本文化藝術(shù)振興審議委員會(huì)委員等職務(wù)。1988 年至 1991 年，全龍福耗時(shí)三年復(fù)原了日本著名宴會(huì)廳——目黑雅敘園的漆畫作品，從而奠定了他在世界漆畫領(lǐng)域的地位。此外，全龍福還常年往返于韓國(guó)和日本，從事漆畫藝術(shù)的創(chuàng)作和教育工作，為亞洲現(xiàn)代漆藝的發(fā)展做出了積極的貢獻(xiàn)。
Sponsored by the Center of International Cultural Exchange (CICE), the “Eter Color–Jun Yongbok Natural Lacquer Painting Exhibition”, Mr. Jun’s first exhibition in China,will display at the National Art Museum of China from April 6th to 16th, 2011. More than fifty of his masterpieces created from 2005 to 2011 will be displayed in the exhibition. As the Father of Chinese Lacquer, Qiao Shiguang is this exhibition’s curator and has given an inscription for the exhibition.
Born at Busan, Korea in 1952, Mr. Yongbok Jun has dedicated himself in studying and creating natural lacquer arts since 1973. Now he is the director of Baroque C&F Co., Ltd. Natural Lacquer Art Institute, professor of Youngsan University, the president of Iwayama Lacquer Art Museum in Japan, the largest natural lacquer arts museum of the world, and the member of the Japanese Culture & Arts Promotion Association. From 1988 to 1991, Mr. Jun restored thousands of treasure-level masterpieces in Meguro Gajoen, an art center located in Tokyo, which made him a global master in the field of natural lacquer arts. Nowadays, Mr. Jun travels back and forth between Korea and Japan for natural lacquer art creating and teaching, which made a positive contribution to the development of modern natural lacquer arts in Asia.